Thursday, February 24, 2011

Spring Break



Hope you get some work done and some smiles in during your spring break.
It's a great time to recuperate, reinvent and rejuvenate your artistic self.

I've put up the logos on the 4th floor and they look terrific. I'm still waiting on several others of you to give me your new print so I can add it to the display.

Monday, February 21, 2011

Design Sites to Explore

check it out:
www.petergill.co.uk/services/Brand

www.studiodumbar.com

www.designation.com

www.savagedesign.com

www.3st.com

www.thunkdesign.com

www.hornallanderson.com

www.phdla.com

www.poulinmorris.com

Another Color Reference

http://ww.colourlovers.com
http://ww.colourlovers.com

Think Branding: Advertisements



Check out www.adsoftheworld.com

Lots of great award winning advertisements here to get you started as inspiration for your own client. Think about what magazine/periodical your ads might appear.

www.graphic-exchange.com

www.graphic-exchange.com

If this site doesn't inspire you then you might want to choose something else to do for your life. It's amazing work with great insight into the world of seeing creatively.

If I could only one bookmark on my computer it would this one.





The designer who is responsible for this site is Fabien Barral.
Check out his own site:
http://www.fabienbarral.com/

Think Stationery Sets and Envelope Sizes, Etc.

Some stationery ideas from graphic design books/designers.
Think about how you wish to present your logo in the various formats.












sta·tion·er·y/ˈsteɪʃəˌnɛri/ Pronunciation Key - Show Spelled Pronunciation[stey-shuh-ner-ee] Pronunciation Key - Show IPA Pronunciation
–noun
1. writing paper.
2. writing materials, as pens, pencils, paper, and envelopes.

This is where we start this week. How will you begin to apply your mark/logo to the envelope, business card, one-sheet paper, stickers, etc.

You might want to bring in additional elements to add texture or color nuance.
Think about paper, ink, process color, foil stamping, die cuts, etc.




Letterhead stationery and second sheet 8.5 x 11
Business Cards (these sizes can certainly vary according to your client and design concept. Standard business cards are usually 2 x 3.5

A2 envelope 4.37 x 5.75
A6 envelope 4.75 x 6.5
A7 envelope 5.25 x 7. 25
#10 envelope 4.12 x 9.5

#10 Business Envelope 9 x 12
Presentation Folders 11 x 14 (various sizes)

A few other printed/web materials to be considered:
Rack Cards
Post Cards
Stickers
Rubber Stamps
Handmade Books
Stamps
Billboards and outdoor advertising
Train/Bus interior print
Subway station print kiosk
Bus Kiosk
Outdoor Phone Poll Banners
Trade Show & Pavilion Decorations
Brochures
Catalogs
Pop Out/ 3D Relief
Sales receipts
Shopping Bags
Wrapping Paper
Take Out Boxes
Tshirts
Hats
Uniforms
Vehicle Graphics
Bus/Car Wraps
Projection Graphics
Interior/Exterior Signage
Napkins
Hang Tags
In-store promotional material (SALE,MarkDowns,etc.)
Promotional giveaways and contest materials
Menus
Table Easels
Websites & E-Catalogs
Web Ads online
Photography
Direct Mail pieces

Printing techniques to consider:
Die cuts
letterpress
watermark
embossing/debossing
thermal and wax transfer
Offset
Digital
inkjet
woodcut
linoleum
Foil application
Screen Printing

Think Business Cards

http://inspiredology.com/business-cards/cool-business-cards/




2011 Juried Student Art Exhibition

Everyone in my classes are required to enter something into this exhibition.
Take note of the deadlines and the requirements.

Saturday, February 19, 2011

Interactive and New Media Presentations


Russell Pensyl



Garnet Hertz



Jane Tingley


The Art and Design 2CI committee has invited three Interactive Media candidates to campus next week for interviews. Please try to attend their presentations because one of these candidates will eventually be working with you in the future.

I am attaching a website address for each candidate for your reference. The presentation schedules are as follows:

Russell Pensyl: “Subtle Presence, ubiquitous responsive systems in media installations” - Monday, 11:00 to noon, room 300, http://www.pensyl.com/

Jane Tingley: network sculpture - Wednesday, 9:00 to 10:00, room 300, http://www.janetingley.com/

Garnet Hertz: "Critical Technical Practice: Tactics for Interdisciplinary Initiatives in Art, Culture & Technology"- Thursday, 8:30 to 9:30 am in room 300, http://www.conceptlab.com/

Each candidate will have an opportunity to interact with the graduate students in seminar as well. The schedule for that is:

Russell Pensyl will attend DPP/Photo 8500 Seminar on Tuesday. He will arrive at seminar at 11:30. All graduate students are encouraged to attend. Location: TBA - either DPP seminar room in A&H, 6th fl or Photo Grad Studio in A&H, 2nd floor.

Jane Tingley will meet with Graphic Design graduate students on Wed. at 3:00 PM. All graduate students are welcome and encouraged to attend. This will be on the 4th floor in the GRD Grad Studio, A&H 460

Garnet Hertz will attend DPP/Photo 8500 Seminar on Thursday. He will arrive at seminar at 11:00. All graduate students are encouraged to attend. Location: TBA - either DPP seminar room in A&H, 6th fl or Photo Grad Studio in A&H, 2nd floor.

Wednesday, February 16, 2011

What is Due Monday February 21st?

Mounted Black/White and Color logos due on Monday.

You should also indicate your choice of Pantone Colors as well on the mounted print out.

Please put the B/W logo on top of the vertical or horizontal print out with the color underneath and below that/next to that color logo you should also have the PMS chips with the corresponding number for the colors.

Name on the Reverse or your personal logo and name.
examples below


PANTONE and Kuler


Courtesy Pantone.com

The Pantone Color Matching System is largely a standardized color reproduction system. By standardizing the colors, different manufacturers in different locations can all refer to the Pantone system to make sure colors match without direct contact with one another.

One such use is standardizing colors in the CMYK process. The CMYK process is a method of printing color by using four inks—cyan, magenta, yellow, and black. A majority of the world's printed material is produced using the CMYK process, and there is a special subset of Pantone colors that can be reproduced using CMYK[citation needed]. Those that are possible to simulate through the CMYK process are labeled as such within the company's guides.

However, most of the Pantone system's 1,114 spot colors cannot be simulated with CMYK but with 13 base pigments (15 including white and black) mixed in specified amounts.

The Pantone system also allows for many 'special' colors to be produced such as metallics and fluorescents. While most of the Pantone system colors are beyond the printed CMYK gamut, it was only in 2001 that Pantone began providing translations of their existing system with screen-based colors. (Screen-based colors use the RGB—red, green, blue—system to create various colors.) The Goe system has RGB and LAB values with each color.

Pantone colors are described by their allocated number (typically referred to as, for example, 'PMS 130').



PANTONE numbering systems explained

Each PANTONE Color System uses a unique coding scheme. This key will help you find which System a particular PANTONE Color number or name is associated with:

Solid Color System
PANTONE MATCHING SYSTEM® coated, uncoated or matte
(examples: PANTONE 185 C, PANTONE Cool Gray 1 M)
PANTONE FORMULA GUIDES and SOLID CHIPS contain 1,114 solid (spot) PANTONE MATCHING SYSTEM Colors for printing ink on paper. The majority of these colors are referred to using a three- or four-digit number followed by a C, M or U. A small selection are named colors, such as the 14 base colors like PANTONE Reflex Blue C or PANTONE Orange 021 M.

The letter suffix refers to the paper stock on which it is printed: a "C" for coated or gloss paper, "U" for uncoated paper and an "M" for matte or dull paper.

PANTONE Goe System coated or uncoated
(examples: PANTONE 105-5-3 C, PANTONE 31-4-6 U)
All Goe Colors found in the GoeGuides and GoeSticks are identified by a three-part hyphenated numbering system. The first number ranges from one to 165 indicating the color family it belongs to. The middle number will be from one to five, signifying the page within the color family. The last number ranges from one to seven and identifies a color's position on the page. The "C" suffix indicates coated stock and the "U" uncoated stock.

Four–color process
PANTONE 4–COLOR PROCESS guides coated, uncoated
(examples: PANTONE DS 1-4 C, PANTONE DE 250-1 U)
These guides offer a collection of over 3,000 CMYK color choices. The Process Color System is an independent system and color numbers bear no relationship to either the Goe or PANTONE MATCHING SYSTEM.

PANTONE Process Color references start with either DS or DE followed by a one- to three-digit number, a dash, and a single digit number). The DE designation is used in the European version. The "C" suffix indicates coated stock and the "U" uncoated.

Process simulations of solid PANTONE Colors
COLOR BRIDGE® coated or uncoated (example: PANTONE 185 PC)
This guide provides side-by-side printed comparisons of solid PANTONE MATCHING SYSTEM Colors and their closest four-color process equivalent. The process simulation is identified by using the solid color's name or number, followed by "PC" for coated, "UP" for uncoated or "EC" for Euro coated.

GoeBridge™ coated (example: PANTONE 11-2-7 CP)
GoeBridge provides side-by-side comparisons of solid PANTONE Goe Colors and their closest four-color process equivalent. A "CP" suffix added to the color name indicates that it is a process simulation printed on coated stock.
SOLID IN HEXACHROME® coated (example: PANTONE 185 HC)
This guide provides printed simulations of PANTONE MATCHING SYSTEM Colors using the six-color Hexachrome process (CMYKOG). The six-color process equivalent is referenced using its PANTONE MATCHING SYSTEM name followed by "HC" for Hexachrome Coated.

FASHION + HOME
(examples PANTONE 14–4510 TPX or Aquatic, PANTONE 15–1247 TC or Tangerine):
Color reference numbers in this system contain two digits followed by a dash and four digits with either a TPX or TC suffix. TPX indicates that that the reference was printed on paper, the TC indicates that it’s a dyed cotton reference. Each color also has an alpha name reference as a secondary identifier.

PAINTS + INTERIORS
(examples PANTONE 14–4510 TPX or Aquatic, PANTONE 15–1247 TC or Tangerine):
Color reference numbers in this system contain two digits followed by a dash and four digits with either a TPX or TC suffix. TPX indicates that that the reference was printed on paper, the TC indicates that it’s a dyed cotton reference. Each color also has an alpha name reference as a secondary identifier.

Plastics
(examples PANTONE Q270–2–4, PANTONE T925–5–5):
PANTONE Plastics Color references are denoted by a Q or a T followed by a three–digit number, a dash and two single digits separated by a dash. The Q and T signify opaque and transparent colors, respectively.


Kuler
www.kuler.adobe.com

Adobe Kuler is an internet application from Adobe Systems that lets individuals try out, create and save various color schemes. It is available in browser-hosted variants running on Adobe Flash, and in desktop versions using the Adobe AIR runtime. After downloading Switchboard from Adobe Labs, users using the desktop version of Kuler can export a color scheme straight into Photoshop, Illustrator and InDesign. The word 'Kuler' is of Mauritian_Creole origin which means color.

Sunday, February 13, 2011

Wednesday MODA/ ai3 Mini critique



Joe Remling from ai3 will be in class at 1pm to review the junior designers videos and then at 2pm for your videos for the MODA Exhibition.
Please make sure you have the following on Wednesday:

-Show him what you have so far regarding your creative team concepts.

-Please make sure you have copied your prototype videos to the server AND also have a copy of it to send along with him on a CD/DVD so he can show MODA.

-I will need a short concise creative brief with several frames of your concept to send to Joe on Monday after class so he can be prepared for Wednesday. Put this in pdf format.

That's it! These are looking great so keep up the energy. Again, it is up to him to select all or a few of those he wishes to use in the exhibition. Regardless of what happens you will all have some amazing client work (Museum Quality) for your individual portfolios!

AIGA Lecture: Tuesday February 15th at SCAD


It's Free. It's at SCAD. Senior Graphic Designer Barron Biros did the print and web poster. If you like motion design, you'll love this lecture by Chris Pulman.

Saturday, February 5, 2011

Client Logos: Show and Tell Monday


Don't forget to print out the logo concepts you have so far so we can put them up on the board to see them all at once. They do not have to be boarded, just black/white prints will do. Bring as many as you wish to discuss. You have to have more than just one.

So much about being a designer is learning how to edit your work. You should do that before you arrive to class with the logos you want to show. We'll go over them together so bring your conversational self and the mini-crit will prove beneficial for all of us.